To prompt or not to prompt?….that is the question. Prompting is the new four letter word in special education and should be avoided at all costs right? The true answer to this question lies in the setting in which it is used, the goals and objectives of the teacher and whether that teacher has a clear understanding of how to achieve those goals and objectives within their discipline.
In the pursuit of academic endeavors, teachers and parents of special needs and typical children know all too well the dangers of giving away the answers and doing things for children when they are capable of doing these things themselves. Too much prompting in these activities can absolutely be counterproductive to thinking and independence. These tasks are typically cognitive in nature and may involve fine motor skills, such as writing or keyboarding. When learning physical/gross motor movements, as in Physical Education classes, prompt dependence does not occur if physical prompts are executed skillfully and eventually faded. After the repetition of a skill using physical prompting/assisting, the prompt should be gradually faded until the student begins to embody the skill for the first time and begins to feel how to execute it correctly, thereby gaining a deeper sense of mastery. This is all done with the utmost respect for each student’s free will and personal boundaries. I do not ever “force” a student to receive physical prompts, however, I do encourage it. I’ve used these techniques for years with special needs and typical students ranging in age from 3-65, and have documented their excellent progress. Physical prompting is just another name for what’s widely known and regularly used in yoga classes all over the world as an adjustment. I’ll refer to them simply as assists. Physically assisting/prompting with gross motor skills differs from prompting in the classroom mainly due to muscle memory and gravity vs. cognitive understanding. Verbal Instructions, Modeling/Mirroring, Physically Assisting, Fading The Assist Verbal instructions followed by modeling/mirroring the task for the students are naturally the first choice in teaching motor tasks and many students may learn them easily this way. For those who don’t, physical assists/prompts may be required and is a beneficial and valid tool to help anyone, whether special needs or typical, learn or improve upon gross motor skills. Dr. Wachs uses this method, as do most adaptive PE teachers, physical therapists, yoga teachers and coaches. Physical assists, gradually faded, give many students with motor planning challenges the opportunity to learn a motor skill that they otherwise wouldn’t be able to execute on their own. Rhythm & Timing Every student is uniquely different and may need an assist in one skill but not in another. Many students will fall into a relaxed rhythm and timing with the person assisting them as they begin to connect with the movement through repetition. It’s the same concept as rocking a baby, swinging on a swing or going for a long walk or run. Repetitious physical movements, whether passive or active, are paradoxically relaxing and invigorating at the same time! Anyone who’s ever received a Thai Yoga massage can attest to this. Older students who’ve never been taught this way may tolerate or only need 1-2 prompted tennis swings while others can handle and may benefit from 50 swings initially. The resulting joy, self-confidence and self-esteem I see when a student is able to accomplish a physical skill that they’ve only ever been able to watch others do before is worth the effort! Muscle/Motor memory According to the American Coaches Association, muscle memory is “the result of teaching the muscles how to perform a specific activity and repeating that activity until it can be done freely without methodical thought”. It is the neurophysiological response to the repetition of gross motor tasks. In other words, the brain and body connect better when a physical demand is placed on it regularly. The more repetitious the task, the deeper the neurological pathway becomes and the less one will have to “think” about doing the task. Let’s use dribbling a basketball as an example. A very skilled basketball player who practices the sport daily doesn’t have to think about dribbling because the neurophysiological pathway for dribbling is deeply engrained. He or she is then able to use brain resources for strategy. The muscles aren’t really remembering, but rather the brain is, and is able to send a clear, strong signal to the muscles to execute the correct response. Creating a strong foundational muscle memory and body-brain connections is of paramount importance to academic success, according to Dr. Wachs in his book, Thinking Goes to School. In the same way that the basketball player isn’t consciously thinking about dribbling, the student who doesn’t have to consciously think about how to sit up in a chair, or where his or her body is in relationship to the pencil, paper and desk is better able to use their brain resources for academic endeavors! Once a student no longer has to think so long and hard about how to do the basic skill, then the brain is potentially able to learn and process the nuances of the sport, such as rules and strategies, thereby affording greater social opportunities. We DO want our students to think about the deeper things in life, which is precisely why we do NOT want them to have to think about movements that we take for granted. This is where physical assists may be needed so that they can feel in their bodies what they are being asked to do. If left on their own with just verbal instructions, many special needs students would simply never be able to participate because there’s no established neural pathway, or “dialogue”, between the brain and the body for the motor task given. Sadly, this is what often happens to students when they’re mainstreamed into typical PE classes, or left alone for “processing time”. This so often leads to the student doing nothing and feeling discouraged. Even if the student cognitively understands the instructions, they may not be able to effectively make the movement happen. This applies to a large percentage of typical adult learners too. How many of us have felt “uncoordinated” when doing something new? The difference is that a typical learner can more easily take command of the body brain continuum at will. Even then, it’s not easy. Imagine how our students feel! Gravity When teaching sports, Adaptive Physical Education teachers use adapted equipment such as bigger, slower, flatter balls, balloons and other modalities to give students more time to make contact. Even the slowest moving balloon, however, will not stop moving in order to give a student extra processing time! Any physical endeavor is subject to the gravity of one’s own body weight. This may be the clearest differentiation between academic learning and motor learning. Motor learning is subject to the laws of gravity where as pure academic/cognitive learning is not! We may need to help the student connect with a falling or fast moving object to help increase their reaction time by assisting them in doing the skill repeatedly. In coaching it’s called a drill. This repetition gives his or her body the feedback needed to create a new neural pathway in the brain for the task. It works the same way for us too. The more often we do a motor task, the more skilled we become at it. Aren’t 30 year olds better drivers than 16 year olds? Practice is just another word for repetition. A physical assist provides students with the correct body position, motion, timing and repetition that they may not be able to initiate or maintain on their own. It allows the student to actually DO and FEEL the practice. The neurons firing in the brain during motor movements don’t know that the movement is being assisted. From a neurophysiological perspective, all that matters is that the movement happens. Of course, the student is consciously aware of being assisted and for this reason it should be done with the utmost respect for the student and their tolerance level. Ultimately, carefully designed and executed Physical Education classes help to lay down the foundation for academic success. Additionally, physical activity and sports provide the student with widely known health, social and affective benefits. Of course, the time frame in which this happens will vary widely in each student according to his or her individual cognitive and physical abilities. No single modality, Physical Education being among them, is a panacea for ASD. The activities that are chosen in a specialized Physical Education program and the methods used to teach them are one of the many holistic supports used to help foster success in our students’ education. Each one is not an end unto itself, but rather an important piece of the ASD puzzle. Physical Education has the potential to positively impact the lives of special needs students or not do much at all, depending on the methods used, and the level of support and respect it receives. (Wendy Beffert, Health & Physical Education Teacher, Celebrate the Children) Sources: Thinking Goes To School, Hans G. Furth and Harry Wachs, Oxford Press, 1975) Visual/Spatial Portals to Thinking, Feeling and Movement, Serena Wieder, Ph.D. & Harry Wachs, Profectum Foundation, 2012
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We all see things differently. We all have our own unique perspective. I am not on the backside of your eyeballs. I don’t know how you perceive the world nor do you know how I really perceive the world.
We all can be artists because we all have great individual perspective. But a successful artist, visual or otherwise, must communicate their perspective to others through their medium. So for me, that would be painting, sculpture, and drawing; for a musician, it is music; for a dancer, it’s a dance, movement, theatre, drama, production. And also literature is art. It’s something emotional, a perspective. We need to get students to be able to communicate, non-verbally in my case, also through mediums, artistic mediums. So this is the dilemma. Every art teacher has to go to school, you learn, you know what it is to be an artist, you get to class and the kids are all like, “teach me how to draw like you” and you sit there and it suddenly hits you like a ton of bricks… I can’t teach anybody how to be an artist. Why? Because it’s praxis. It’s an internal process. It’s hand-eye coordination, ideation, motor planning and execution. So what do I do? What is my role? My role is to guide and facilitate. I am kind of like the art tour guide and since I like metaphors, and I like visual metaphors, I am your art tour guide. (Mary Beth Scheerer, Art Teacher, Celebrate the Children) |
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